Gigantic
granite spheres floating and rotating on a
thin film of water are catching the
imagination of people all over the world.
Ben Smalley reports on the art and
science of floating ball fountains.
From Disneyland in America to shopping
centres and public parks in Europe,
there are an increasing number of
locations where floating ball fountains
are being installed to catch the eye of
the public and inspire their
imagination.
The novel attractions have become a major
talking point as people try to fathom out
how a massive stone ball weighing up to 45
tonnes can float on a thin film of water
and rotate so easily that even a small
child can change their direction.
The concept of the fountains was conceived
by the head of a stone company in Finland,
who used a period of recession in the
global construction industry several years
ago to develop an idea he had been
pondering for a lifetime.
Eero Vainikka, Managing Director of
Sorvikivi Oy, one of just a handful of
companies now making the fountains
worldwide, developed the first ball
fountain for an installation in Berlin,
and now millions of passers-by can admire
the highly polished, five-tonne red
granite ball as it revolves majestically
on a wafer-thin film of water in the city
centre.
Since then, the company has received
similar requests for its fountains from
Italy, China, Singapore and the USA, and
is now actively targeting the Middle East
market.
Vainikka says the company hopes to produce
around half a dozen massive stone ball
fountains a year, in addition to many
smaller, and even table-sized, versions.
“We want our fountains to give pleasure in
towns and cities around the world,” he
says. “Because flowing water and beautiful
Finnish stone make a really attractive
combination.”
He says the secret to the company’s
success is its ability to grind and polish
stone to an accuracy of a few hundredths
of a millimetre – making it one of only a
handful of companies in the world able to
do this.
“A tolerance of 4-8 hundredths of a
millimetre is enough to make a revolving
stone fountain work,” he says. “But the
more accurate the dimensions, the thinner
the amount of water needed.”
For example, the large five-tonne stone
delivered to Berlin is made to revolve
using 13 litres of water a minute, and the
water film between the ball and its
pedestal is only one to two tenths of a
millimetre thick.
Besides being dimensionally accurate, a
revolving stone ball must also be highly
balanced, and it can take Sorvikivi Oy at
least two months to shape and polish a
large stone out of Finnish granite, while
accurate balancing can require several
more days.
“Although the basic work takes place on
computer controlled machines, finishing is
always done by hand as it takes an
experienced eye to bring out the stone’s
inner character,” Vainikka says.
Kristian Lobbas, who acts as a consultant
for the Finnish company in Dubai, says the
fountains have great potential in the UAE
due to the amount of high profile
construction projects taking place.
“I have shown them to many people here and
I think there are quite a few projects
where they could be included as a theme,
such as on roundabouts or in theme parks,
as a reminder or monument of an important
global meeting, not to speak about a
landmark for an international hotel
chain,” he says. “But how they are
incorporated into an architectural
surrounding – so the fountain forms one of
the attractions within a feature – is up
to the architect or designer, and how much
imagination he or she has.”
Lobbas, who has worked in the quarrying,
stone and mineral industries in the Middle
East since 1986, says the fountains appeal
to different people for different reasons.
“For me, the attraction is the technical
aspect and the beauty - with the light and
rotation, the texture and reflections of a
colourful granite ball change all the
time.” he says. “But their primary
attraction for most people is as an
architectural feature and curiosity - even
if the balls weigh between 10 and 45
tonnes, they rotate so easily that even a
child can move them.”
The fountains consist of the main polished
sphere and a pedestal which acts like a
ball bearing housing. Basic scientific
principles mean the ball will rotate
freely and continuously when water is
pumped in from underneath, so long as the
sphere is perfectly round and balanced.
The balls can also rotate using air,
instead of water.
“It’s essentially a hydraulic principle,”
Lobbas explains. “The water comes in
through a small pipe and divides itself
evenly across a large area, and the
pressure in a liquid or air divides itself
equally all over the surface so you don’t
need a large pressure.
“Two other principles are also at work:
The surface tension of water is quite high
– that is why insects and some other
animals can run on water – which makes the
surface quite hard to break. In addition,
once the film of water lifts up the ball,
the small, directed friction caused by the
running liquid or air makes the ball
easily rotate by itself in a desired way
so long as water or air is being pumped
underneath. Even rotations in different
directions can be created
“The ball has to be both a perfect sphere
and in perfect three-dimensional balance
with the weight divided equally in order
for it to work: You can tell how well the
ball has been made by just looking at the
amount of water it needs to float and
rotate – the better it is done, the less
water it needs.”
The Finnish company has made ball
fountains of varying diameters – from
small balls or groups of them, but are
today concentrating mainly on spheres with
a diameter from 60 cm to several metres -
but the cost increases sharply as the size
increases.
“The problem is not so much the
manufacturing, the difficult part is
finding a three dimensionally balanced,
homogeneous block of stone of the
appropriate size which has no cracks or
other flaws in it,” Lobbas explains.
“The biggest sphere we are currently able
to make has a diameter of 3.2 metres, but
we have yet to find a customer for it.”
|